The Curse Of Frankenstein (1957)

In prison and awaiting execution, Dr. Victor Frankenstein recounts to a priest what led him to his current circumstance. He inherited his family's wealth after the death of his mother when he was still only a young man. He hired Paul Krempe as his tutor and he immediately developed an interest in medical science. After several years, he and Krempe became equals and he developed an interest in the origins and nature of life. After successfully re-animating a dead dog, Victor sets about constructing a man using body parts he acquires for the purpose including the hands of a pianist and the brain of a renowned scholar. As Frankenstein's excesses continue to grow, Krempe is not only repulsed by what his friend has done but is concerned for the safety of the beautiful Elizabeth, Victor's cousin and fiancée who has come to live with them. His experiments lead to tragedy and his eventual demise. By garykmcd

The Curse of Frankenstein was Hammer’s first color horror film and set the stage for a run of classic gothic horror pictures. It was a worldwide success which led to the studio’s own versions of Dracula and The Mummy.  When released, the film drew poor reviews, which further proves that reviewers really don’t know shit, myself excluded.  Thank god the public didn’t share this view. Martin Scorsese and Tim Burton have both sung the movie’s praises and have cited it as an influence on their own work.  

This film introduces us to a duo that became legendary in the horror genre:  Peter Cushing and Christopher Lee. As Baron Frankenstein, Cushing delivers an incredible performance and makes the character his own.  This isn’t Colin Clive, who played the good doctor in Universal’s Frankenstein, babbling about “it’s alive” and feeling sorry for himself.  Cushing’s Frankenstein is banging the maid and not above killing to get the parts he needs to create life.  In fact, Baron Frankenstein is the real source of horror in this movie.  Lee’s role is minor in comparison but he does give a decent performance.  But in his defense, it would be hard for anybody to top Boris Karloff as the Frankenstein monster and this creature was portrayed completely different. While Universal made the monster sympathetic, Hammer’s monster was a symbol of the evil and corruption of Baron Frankenstein.  In continuing with comparisons, while Universal switched up doctors throughout their movies, Hammer instead focused on the complex character of the doctor and changed up on the monsters.  Curse of Frankenstein also throws a change up on the cliché of the mad doctor’s assistant. It’s no longer a hunchback or displeasing visual character but instead is the Baron’s former teacher and the voice of reason over the immoral acts that Frankenstein is engaging in.  

Terrance Fisher directed the movie and went on to become one of the prominent horror directors in the 2^nd half of the 20^th century.  Although not as heavy in Curse of Frankenstein, Fisher was the first to have sexual overtones and explicit horror in his films.  This is common place in films now, but for that time it was definitely groundbreaking.  The screenplay was written by Jimmy Sangster and this was the first of many team-ups with Fisher.  In fact, this collaboration may be just as important as the Lee/Cushing duo at Hammer. (Let’s also mention that Sangster wrote the Horror In The Heights episode from the original Night Stalker series:  One of my favorite TV series and a huge inspiration to the future X-Files)   The duo also collaborated The Horror of Dracula, The Mummy and Brides Of Dracula.  

I also want to give a mention to makeup artist Phil Leaky.  Although his makeup isn’t as iconic as what the legendary Jack Pierce created for Karloff, it is actually much more realistic. It actually looks like the monster went through surgery and was pieced together from various dead bodies. And with this being one the first color horror films, it had to have an effect on an audience not used to seeing something this graphic. 

 

Having just viewed this movie again, I must say that it holds up today.  It showcases what made Hammer so great during that golden era.  The mood, the atmosphere and the rich color make this a perfect example of everything that made Hammer horror movies so special.  If you’re unfamiliar and wish to discover what the term “Gothic Horror” symbolizes, this is the movie to start with.   

Critic R. D. Smith proclaimed, “For all lovers of the cinema, only two words describe this film – Depressing, Degrading!”  To you Mr. Smith I say, Kiss My Ass. 

TRIVIA: 

For many years this held the distinction of being the most profitable film to be produced in England by a British studio.

The first Frankenstein movie to be filmed in color, from November 19 1956- January 3 1957.

The idea originated with Milton Subotsky, who went on to co-found Amicus Films, Hammer's main rival during the 1960s and early 1970s. The script was revised several times to avoid repeating any elements from the Universal Frankenstein series. As part of this effort, new monster make-up had to be devised especially for this film.

Christopher Lee's monster make-up was almost literally done at the "last minute". After previous attempts to design a monster make-up using a cast of Lee's head had failed, make-up artist Philip Leakey made the final design the day before shooting began, directly onto Lee's face, using primarily cotton and other household materials. Since he didn't use any latex or molds, the make-up had to be recreated from scratch every day.

Although they had both previously appeared in Hamlet and Moulin Rouge, Christopher Lee and Peter Cushing met on the set of this film for the first time. They would pass the time between shots by exchanging Looney Tunes phrases, and quickly developed a fast friendship, which lasted until Cushing's death in 1994.

QUOTES:

Baron Frankenstein: Let's let our friend here rest in peace... while he can.

Baron Frankenstein: I've harmed nobody, just robbed a few graves!

Priest: Perhaps you'd better start from the beginning.  (Anybody that has heard the beginning of White Zombie’s song Electric Head Part 1, will recognize this immediately when it’s said)

Baron Frankenstein: Pass the marmalade Elizabeth.

I told you. Do not give my film a bad review!!!!