A Canadian nurse is hired to care for the wife of a sugar plantation owner, who has been acting strangely, on a Caribbean island.
Who said the dead don't walk? |
Lewton's ideals are more focused on suggestion in a psychological way, the scares more cloaked in a shadowy unease, director Jacques Tourneur perfectly in tune with his producer to unhinge the audience by way of an approaching dread we can't see. Some of Tourneur's work here is wonderful, hauntingly elegiac sequences linger long in the memory, rustling wind blows as characters are appearing to float thru sugar cane fields, the distant rumble of ceremonial drums luring them forward with mystical powers. A voodoo zombie shuffling on a mission to fetch poor Jessica from the plantation home is not horrifying, its damn near gorgeous, soft and near silent in its execution, the whole film is simply full of memorable moments.
Written by Curt Siodmak, the concept for the piece came about by way of a number of newspaper articles that were telling of voodoo and witchcraft in Haiti, the scope for a screamathon horror movie was obviously there, but thankfully in this viewers humble opinion, we get a classy and chilling film that is dripping with ethereal beauty from first reel to last.See it happen--right before your startled eyes...in the screen sensation that rips the mask from the darkest secrets of forbidden voodoo! |
The characters are interesting and the performances are top-notch. Particularly notable is the lovely Frances Dee who plays Betsy Connell and Tom Conway who plays Paul Holland. During their journey to the island Paul says to Betsy, "It's easy enough to read the thoughts of a newcomer. Everything seems beautiful because you don't understand. Those flying fish, they're not leaping for joy, they're jumping in terror. Bigger fish want to eat them. That luminous water, it takes its gleam from millions of tiny dead bodies. The glitter of putrescence. There is no beauty here, only death and decay. Everything good dies here, even the stars." Okay, he might be stating fact, but chill the fuck out dude. She's not going to give you any pussy talking like that.
Fans of Fulci zombies may be disappointed by the lack of gut-munching gore here. These zombies are not cadavers returned from the grave, half-rotted horrors shambling about looking for flesh to feast upon. These are traditional, mind-erased zombies, unfeeling, unthinking and unresponsive to anything. The atmosphere is wonderful, filled with great music, strong women and natives who look like the real thing. The love triangle quickly becomes a love square and the haunting conclusion is both shocking and grimly satisfying. Fans of the brilliant Tourneur won't be disappointed - his mark is all over this beautiful film, from beginning to end. It is one of his very best.Blonde Beauty - Doomed to be one of the walking dead! |
Trivia:
Val Lewton did not like the article "I Walked With A Zombie" by Inez Wallace that had been optioned, so he adapted the story to fit the novel "Jane Eyre" because he felt the article's plot was too clichéd.Sorry I sang that song about your fucked up family. |
The legal disclaimer at the end of the credits, which roll at the start of the film, makes light of the film's subject. The disclaimer states: "The characters and events depicted in this photoplay are fictional. Any similarity to actual persons, living, dead, or possessed, is purely coincidental."
Edith Barrett, who played the mother, was only 3 years older than James Ellison, who played her younger son, Wesley. She actually was 2 years younger than Tom Conway, who played her older son, Paul.